Quote by Parallel Worlds
hello,
just created some new Demo clips for the Analogue Systems RS370 Polyphonic Harmonic Generator.
you can check them here:
http://www.analoguesystems.co.uk/modules/rs370MP3_v2.htm
with these complex patches, using the RS370, you can realize the great capabilities of this module when used in a modular environment.
enjoy.
best regards,
Bakis.
for the new demos above:
the RR370 was used as a bank of sinewave oscillators (16 of them each one is the multiple of the fundumetnal harmonic (thats in the 'analogue realtime mode).
then i used various (many) envelopes triggered by gated comparators and analogue sequencers fired from pulse dividers to control the amplitude of each of the harmonic (the rs375 expander has 16 cv inputs that control the amplitude of each of the first 16 harmonics of the rs370 additive sound.
so, i made various scapes and 'drum' tracks using only this 'single' rs370 note, but with each of its harmon ics triggered in a different rhythmic (and polyrhythmic) fashion.
when the rs370 was in 'poly analogue' mode, i used its cv and gate inputs and invididual notes' audio outputs of the rs370, to control, with sequencer rows, each of its 6 notes and to, also, process each note with a different analogue audio path.
so, in poly-mode, with one RS370, you get 6 independent additive sound generators (each with its own cv/gate input and its own audio out).
you do get one (complex) and totally editable amplitude envelope for each of the 6 additive notes, but these 6 amplitude envelopes, as i already mentioned, have their own gate inputs. (but the parameter settings of the 6 envelopes cannot be different for the 6 additive notes).
so, in analogue poly mode, you have, in practice, 6 additive sound generators, with individual out and gate and cv input for each one of them, each with 32 editable harmonics!
great stuff...
