I remember I bought one Wavestation EX to Michel Huygen (Neuronium), it came with all the factory sounds, nothing had been modified! I had heard he only used presets but this was the evidence. When I played it I recognized a lot of sounds used in his records. With the exception of the D-50, the M-1 and the DX-7, it's probably the most used and "recognizable" digital synth.
Hard to program, vectorial synthesis plus no knobs, I found easier to program a SY-22 I also owned at that time, although being less powerful as a sound generator, so I kept the Yamaha and finally sold the Korg. Not a clever decison, I know.
I don't think it is hard to program. There's a certain logic, but once you found that out, you can make any sound you like. I share this experience with more Wavestation users. Some of them find the M1 more to difficult to program.
[...] I remember I bought one Wavestation EX to Michel Huygen (Neuronium), it came with all the factory sounds, nothing had been modified! I had heard he only used presets but this was the evidence. [...]
I never understood why people made such a fuss about Huygen... lousy synthesiser programmer. I remember that godawful track on the Dalì album which exclusively used one of the most terrible factory patches of the D50. Shoddy stuff.
I never liked the tinkly wave-sequencing stuff on the WS -- this got obnoxious rather quickly and made the WS sound so redundant and instantly recognisable. The textural sounds are so much nicer (although so full of 1990s TD connotations...).
Stephen
Eric G
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Gender: Location: Sweden Homepage:ericg.se/ Posts: 476 Registered: 02 / 2007